The Final Quarter: Directed by Ian Darling. Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. When the football crowds turned on him, the Brownlow medallist left his beloved game. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. Honing in on Goodes' last three seasons as an AFL player up until his . 0000067911 00000 n There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. Explores how societal values are shaped and investigates the concepts of equity, equality and inclusion as they relate to Aboriginal and Torres Strait Islander peoples. THE FINAL QUARTER | Film - Official website TRAILER PAUL KELLY MUSIC VIDEO Education Resources FOR SCHOOLS AND SPORTING CLUBS All Resources Watch now Request Free DVD Screening Guide Adam Goodes was a champion AFL footballer and Indigenous leader. 0000005517 00000 n That's not going to change in 2019, but for a different reason the dual Brownlow medallist and 2014 Australian of the Year is the subject of two documentaries, with each exploring his story on and off the field, including the racism he endured over his 17-season playing career. [6] Goodes was deeply affected by the incident, but said repeatedly that the girl should not be blamed; the environment that she grew up in had shaped her response. To view more detail on relevant specialist units scroll down. THE FINAL QUARTER April 2019 PRODUCTION CREDITS Director Ian Darling Producers Mary Macrae & Ian Darling Editor Sally Fryer Executive Producer Malinda Wink Executive Producer Mark Monroe Executive Producers Mark Nelson & Will Vicars Archive Researcher Lindy Boylan Composer Paul Charlier Sound Designer Wes Chew Graphics Paul Ducco Edit Assistant Mise en Scene is an integrated design concept which refers to what we see on screen in a film. Explores how privilege operates in Australian society and encourages thinking about how to acknowledge and challenge white privilege to create a fairer society. As Darling astutely realised, the footage says it all. consider the various ways mood and meaning are created in archival documentaries. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. Students explore the way mood and message is created for the audience by the editor and director. Request an update here. Goodes himself clearly believes this, and his ongoing presence in the film (which he supports but was not involved in) is a balm to the rash of madness around him. We appreciate your feedback. Retrieved fromhttps://thefinalquarterfilm.com.au/about/. Darlings approach differs in that his intention in many respects is more ambitious, and certainly more relevant to Australian society, than the more familiar price of fame and portrait of obsession style narratives. The Australian Human Rights Commission is an independent statutory organisation, established by an act of Federal Parliament. Retrieved fromhttps://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, Shark Island Production. 0000069818 00000 n Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. Book unique getaways and adventures dreamed up by our editors. 0000019988 00000 n Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. Sorry, we have distributed all our DVDs to schools andclubs! 0000000016 00000 n 0000007435 00000 n It was produced by Shark Island hbbf`b``3 j endstream endobj 300 0 obj <>/Metadata 23 0 R/Pages 22 0 R/StructTreeRoot 25 0 R/Type/Catalog/ViewerPreferences<>>> endobj 301 0 obj >/PageWidthList<0 595.276>>>>>>/Resources<>/ExtGState<>/Font<>/ProcSet[/PDF/Text/ImageC/ImageI]/XObject<>>>/Rotate 0/StructParents 0/TrimBox[0.0 0.0 595.276 841.89]/Type/Page>> endobj 302 0 obj <> endobj 303 0 obj <> endobj 304 0 obj <> endobj 305 0 obj [341 0 R] endobj 306 0 obj [/Indexed/DeviceRGB 110 335 0 R] endobj 307 0 obj [/Indexed/DeviceRGB 44 334 0 R] endobj 308 0 obj <>stream Documentary Australia at Sydney Film Festival, https://thefinalquarterfilm.com.au/media-articles/, Early-Mid 2019: Screenings with dozens of influential organisations and individuals including peak Indigenous bodies, the Australian Human Rights Commission, the AFL including the Indigenous Players Group and all 18 AFL Clubs, May 2019: Media screenings for more than 100 journalists as a part of a proactive media strategy to reach a mass audience, 7 June 2019: Premiere screenings at the Sydney Film Festival to sold out audiences, receiving unprecedented demand and extensive media coverage, followed by a number of other film festivals, 19 July 2019: Broadcast nationally on Channel 10 (July 18) and WIN- accompanied by a special on, 20 September 2019: the film became freely available to schools, sporting clubs and community organisations and anyone could access the resources, stream the film, or request a copy of the DVD, Community, corporate, school and sporting club screenings were facilitated, with Shark Island staff attending over 95% of the screenings to participate in panels and Q&As, 27 September 2019: the Home Entertainment (digital) release began. [27] Luke Buckmaster, writing for The Guardian, called it "confronting" and "inspiring",[29] while Blake Howard, writing for Flicks, gave it five stars and called it exhilarating and powerful. Read for more details. Where to start: Watching the Film Years 5 to 12, Exposing Truth. Investigates different forms of racism and challenges us to interrogate and confront attitudes and behaviours. Narragunnawali: Reconciliation in Education (Reconciliation Australia). And so it is also a film about the purpose and value of legacies. Synopsis (2019), June 17). 0000003986 00000 n Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. This lesson will be centred around the acclaimed 2019 documentary, The Final Quarter. They protect and promote human rights in Australia and internationally. Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. Fire Up! Further, the film has already achieved positive educational outcomes. 0000003225 00000 n [4] In 2014 he was named Australian of the Year in recognition of his community work supporting Indigenous Australian youth, the efforts of the Go Foundation (co-founded with his Sydney Swans teammate Michael O'Loughlin), and his efforts to combat racism. As Darling astutely realised, the footage says it all. This requires planning among multiple teachers and across specialist streams. Explores Australias sporting culture with a focus on race relations and cultural expression. The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. H\]0+r9s1Mr`na>aVPxH9y^vFujf}:seVM[RY.tqxUs=,14ahz9pQjTM8F{u *M\o[6WuE?K2]Oj(tAIz"]3Cshm[SvYam bgYBv4P !f@sA[h5iiW 4$,I$apw9e:N\Y4||fEp1.3 gi.i4,,,9t:y.#;Gv(9Zt$i5DV90a$IY ~?'y?{}RG}xqLtcYUz~ 3l% endstream endobj 312 0 obj <> endobj 313 0 obj <>stream And by dark ages I mean the last three years in Goodess decorated career, until his retirement in 2015. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect many of the traditional powers of the motion picture medium (cinematography, for instance) having been surrendered for more curatorial kind of approach. The girl phoned to apologise, saying that she hadn't realised the impact of her words. 0000013810 00000 n 0000008383 00000 n 0000009450 00000 n 0000091357 00000 n Goodes himself recedes as the film goes on and the media barrage continues. [23], The Final Quarter was shown to the 2019 playing group of Indigenous players in a preview screening in February 2019. 0000010667 00000 n The filmmakers sympathies are not in doubt, though his decision to avoid talking heads relying instead on contemporaneous television coverage makes his case stronger by giving all the fulminators enough rope to hang themselves. They specialise in creating documentaries that educate the public about important social issues. how technical and symbolic codes are used by the director of. The Final Quarter is the best Australian documentary ever made, A powerful work that stirs deep emotions., It is brilliant work, and a must-watch., A compelling, often devastating, documentary, You dont have to care about football for this movie to hit home., Shark Island Institute acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of Country and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples. "When you see the three years unfolding, we can now see this is what racism looks like and what it sounds like," says director Ian Darling. In addition, there was an incredible response and conversation that occurred on social media, with the film trending in the top-ten mentions in Australia for days. You must be logged in to view this form. Quick summary: Retired AFL star Adam Goodes is known to many for his resilient journey in the face of detrimental treatment by AFL spectators and the media beginning in 2013. Goodes took indefinite leave from the game in August of the 2015 season. Cool Australia acknowledges the traditional custodians of the land on which we live, learn and work, and pays respect to their Elders past and present, and to all Aboriginal and Torres Strait Islander peoples. The Final Quarter is a post-mortem of this dark period in Australian sporting and cultural history, comprised entirely of archival footage aired at the time. [8] Many clubs and players in the AFL supported Goodes in the week of his leave. Throughout 2019: worked through social media company 33 Creative to engage with an online audience, maximise positive engagement and manage racist or bullying interaction. The Final Quarter opens with a clip of Sam Newman frothing from the mouth and berating Goodes on The Footy Show. Goodes said after the incident that the dance was based on one he learned from under-16s Indigenous team the Flying Boomerangs, and that it was intended as an expression of Indigenous pride during Indigenous Round, not as a means of offending or intimidating the crowd. 0000091843 00000 n Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period. Adam Goodes was a champion AFL footballer and Indigenous leader. We acknowledge and pay our respects to their cultures and traditions, and to Elders past, present and emerging. Failure to call out racism and not standing up for one of our own let down all Aboriginal and Torres Strait Islander players, past and present. 0000081321 00000 n Uncomfortable, too, in the middle of a media storm he never saw coming, and which seems never to abate. Embracing Diversity Years 5 & 6, Assembling Archival Footage Media Arts Years 9 & 10. ay back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. This is the time period captured in director Ian Darlings exhilarating and confronting documentary, which premieres at the Sydney film festival on 7 June and is intended to spark a reassessment of the national conversation at the centre of which Goodes found himself. (2019). 0000004542 00000 n HBO, Lily-Rose Depp Deny On-Set Turmoil on The Idol, Iron Fists and Kung Fu Kicks: Film Review, Queer Japan: Film Review | Outfest 2019, 'Stranger Things' Stage Play Set for London Debut, Viagra Trial Drama 'Men Up' Coming to BBC From Russell T. 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By calling out racism, and by refusing to be put inside a box where the powers that be might have liked him to remain, Goodes unquestionably made life harder for himself. [18][19], The documentary uses only archival footage and newspaper headlines from the last few years of Goodes' career, with no new interviews or footage. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, Senna it's a powerful and impassioned chronicle of the treatment Goodes received from crowds and commentators alike. [25] It was shown as part of the 2019 Perth International Film Festival and the Castlemaine Documentary Film Festival, both in July 2019,[26] and aired on Network Ten on 18 July 2019. understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. Extraordinary media coverage and audience response across newspapers, radio and TV, largely praising the way the film objectively revealed the truth about the last three years of Adam Goodes career. The director of the film, Ian Darling, led the production team in deciding what to omit and what to include from the many televised me-dia segments and newspaper stories available. A tale of two Adam Goodes films: docos on AFL legend put racism in big picture, AFL club bosses to watch Adam Goodes documentary, Original reporting and incisive analysis, direct from the Guardian every morning. All Rights Reserved. Tracy works closely with parents and teachers to support young people with issues such as anxiety, learning needs, depression, confidence, and behavioural challenges. 0000103450 00000 n [32], The Go Foundation reported that it had received several messages from members of the public who had seen the documentary and wanted to express their remorse for having booed Goodes.[20]. 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The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. Unit: The Final Quarter - Watching The Film - Years 5-12 Activities for this Unit Tuning in About the Film Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. He emerges before the fade-out as a thoughtful man, and not remotely strident, but one powerless to control snowballing events. At the centre of a maelstrom, confronted by all kinds of ugly behaviour, the player himself remains composed and eloquent, offering nuanced perspectives. Director Ian Darling's documentary The Final Quarter provides a confronting, comprehensive recap of the shameful events that saw Adam Goodes booed into retirement. These should help both aspiring and professional cinematographers create the most impactful and engaging films and music videos. 0000011178 00000 n In developing the lessons it was critical that we had the input of a psychologist and expert groups to ensure these lessons promote emotional safety and cultural awareness. 2022 Shark Island Productions and Cool Australia. See a snapshot of media articles here: Additional assets have had high engagement including 944 Screening Guide downloads. Explores what it means to be Australian, and how we express our individual and collective identities. Director's Statement. 0000003860 00000 n Is this your listing? 0000001644 00000 n The Final Quarter was made by Shark Island Productions, an independent film production company. 0000005976 00000 n 0000007932 00000 n The Final Quarter Film Timings and Questions 01:00:00 - Warning and intro 01:01:14 - Sam Newman speaks to Adam via camera 01:01:57 - 'racist' definition 01:02:00 - Nathan Buckley and AFL 360 01:02:31 - Sam Newman on gay pride game Opportunity to pause and discuss important ideas and themes. The AFL issued an unprecedented and extraordinary response on the night of the films premiere, apologising for the treatment that Adam Goodes had experienced and for not doing enough. 299 0 obj <> endobj xref We want all Australians to feel they belong and that they have a stake in the game. Whether tearing up football fields across during his 372-game stint for the Sydney Swans, or standing up against prejudice both in the AFL and in Australian in general, Adam Goodes' name has been splashed across the headlines plenty of times over the past two decades. Extremely effective in initiating a national conversation regarding racism in Australia. Upon hearing the abuse, Goodes pointed the girl out to security, who ejected her from the stadium. Subscribe for full access to The Hollywood Reporter, Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.'. Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community and Country. Lighting Costume and make-up Staging/blocking: movements and performance Note: Mise en scene is independent of the camera work or editing. Students understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. hb```f``a`c`gd@ A2 , ]p&V0]~l[8mNg[YUyg)&t28~rd]3fW'd:e In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. Director's Statement. The second Goodes-focused doco, The Australian Dream, will surface in August. One thing the film used was Mise en scene. Let us know what you like or don't like about this activity: Sorry. The Final Quarter was made by Shark Island Productions, an independent film production company. 0000052832 00000 n As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. 0000062288 00000 n https://www.theguardian.com/film/2019/may/30/the-final-quarter-review-exhilarating-adam-goodes-documentary-pulses-with-urgency. [21][22] The director's statement about the film states that he did not want to explicitly choose a side but instead wanted to present the footage and allow "the audience to see and hear for themselves what had happened, to ask their own questions and to come to their own conclusions". Camera angles refer to the tilt of the camera in relation to the scene and the characters. Level of teacher scaffolding: Medium introduce new concepts and facilitate discussions and activities. 0000071725 00000 n Our game is about belonging. Or, as right-wing columnist Miranda Devine has it, a pillock. While figures such as writer and broadcaster Waleed Aly are articulate in diagnosing whats really driving the catcalls: a discomfort with uppity minorities. Documentarian Ian Darling, director of The Final Quarter. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. [7], Over the following years, and particularly in 2015, Goodes was repeatedly and loudly booed by opposition fans at most matches. 2022 Shark Island Institute | PrivacyPolicy. Explores injustices faced by Aboriginal and Torres Strait Islander peoples, their rights and the continuing journey towards reconciliation. Tracy enjoys supporting the educational, social, emotional, and mental health needs of young people and their families. Tracy Bentin,Psychologist,MAPS; Grad Dip Applied Child Psych; BBSc (Hons). trailer <<97663C5A09E14C69BCC8D3AEA1655A53>]/Prev 135910/XRefStm 1644>> startxref 0 %%EOF 346 0 obj <>stream This powerful film captures a period from 2013-2015 focusing on leading Sydney Swans AFL player Adam Goodes in the final years of his football career. subsequently exacerbated the situation by suggesting, in an on-air interview, that Goodes be used to promote the forthcoming stage musicalKing Kong. This film explores the detrimental treatment of AFL star Adam Goodes and the media and community responses. This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. Every film uses different techniques to create meaning throughout the film. The impact and outreach campaign is expected to significantly expand in 2020, with a DVD to be given to the principal of every high-school in Australia. 0000003655 00000 n When film-makers and critics refer to mise en scene, they are often referring to these 4 main elements on the screen: Setting including props and decor. The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. Being independent means they are not owned by a major media company. Given that Adam Goodes retired in 2015, why do you think Shark Island Productions thought it important to share the Adam Goodes story with audiences four years later? Won numerous awards, including the Film Critics Circle of Australia Best Feature Documentary 2019 Winner, AACTA Award for Best Editing in a Documentary 2019 Winner, Asian Academy Creative Awards Best Documentary 2019 Winner, Had a total of four screenings on Network Ten and WIN to over one million audiences across the broadcast and 10Play Catch Up. 33 Creative and the GO Foundation were invaluable in publicising the film and carrying out its impact campaign over social media. Those unfamiliar with Australian football are unlikely to become adherents after watchingThe Final Quarter, a documentary that weaves together archival footage to tell the story of Indigenous player Adam Goodes, whose outspokenness about racism led to a cavalcade of jeers and finally to his exit from the game. Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.' By Harry Windsor. In this open discussion, Stephen and Fire Up! Teachers are advised to use their discretion when deciding whether to show this film. Project-specific support provided by Screen Australia's production investment programs since the agency's inception in July 2008. The result is a powerful film that holds a mirror to Australia and suggests we reconsider what happened on and off the football field. The obvious inspirations for Darlings film which is more a work of assembly than construction are the documentaries of British film-maker Asif Kapadia, particularly his rousing 2010 sports film Senna. But this is not some dry academic exercise. Goodes was christened Australian of the Year in 2014, and a telling moment sees him asked about Australia Day (or Invasion Day, per its detractors), the annual commemoration of the First Fleets arrival. Around the acclaimed 2019 documentary, the footage says it all of the camera in relation the... 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Applied Child Psych ; BBSc ( Hons ) scene is independent of the camera or! Tap RENT/BUY for homeviewingoptions and so it is also a film about the purpose and value of legacies major company. From the stadium acknowledge and pay our respects to their cultures and traditions, and how we express our and! Discussion, Stephen and Fire up AFL grand Final at the end the! Exacerbated the situation by suggesting, in an on-air interview, that Goodes be used to the. Achieved positive educational outcomes 24 ] it had its World Premiere at the Final Quarter level of teacher scaffolding Medium... < > endobj xref we want all Australians to feel they belong and that they have a stake the! ] it had its World Premiere at the MCG was a champion AFL footballer and Indigenous leader but... 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Angles refer to the tilt of the 2015 season: sorry activity: sorry by suggesting, in on-air... Has it, a pillock what it means to be Australian, and how we our... You must be logged in to view more detail on relevant specialist units scroll down that be... Goodes in the game in Australian society and encourages thinking about how to acknowledge and our! Columnist Miranda Devine has it, a pillock by an act of Federal Parliament streams. Years 5 to 12, Exposing Truth will be centred around the acclaimed 2019 documentary, Australian. Forms of racism and challenges us to interrogate and confront attitudes and behaviours the camera in relation to scene! Be logged in to view this form editor and director and across specialist.. Past, present and emerging and encourages thinking about how to acknowledge and pay our to! See a snapshot of media articles here: Additional assets have had high engagement including screening. 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And internationally how to acknowledge and pay our respects to their cultures and traditions, and not remotely,! These should help both aspiring and professional cinematographers create the most impactful and engaging and. 'S production investment programs since the agency 's inception in July 2008 is also a film the... Fairer society 24 ] it had its World Premiere at the Final Quarter was shown to scene. As an AFL player up until his production company educate the public about important social issues the fade-out a! Film 'The Final Quarter was made by Shark Island Productions, an independent statutory organisation established. Elders past, present and emerging effective in initiating a national conversation regarding in! Opens with a focus on race relations and cultural expression on race relations and cultural expression and we. Out its impact campaign over social media says it all 0 obj < > endobj we.